It features anything that will inform the audience of where the scene is set. If the scene is in a forest, the background noise might be of blowing wind, leaves rustling and animal sounds. There should be sounds of people talking, car horns and the light sounds of engines revving. If the scene is taking place on a busy street, the background noise needs to consist of noises you typically hear in that setting. Without them, the realism of the scene is taken away and it stands out to the viewer, even if they aren’t sure why. Without them, the scene will feel unnatural to the audience. Although these sounds are usually quiet, they are essential to a scene, as they appeal to the audience on a subconscious level. The background and atmospheric noise tell the audience where the scene is taking place. Background and atmospheric noises are essential Music and dialogue alone are not enough to construct the world of your film. Your scene needs a much more subtle manipulation of sound to feel complete. While these are undoubtedly vital in driving the plot and character development, they are only some of the elements in a production’s sound design. When considering sound design, dialogue and background music usually come to mind first.
This way you can actually start pulling in sound effects and atmospheres that you might need to build the scene.” Also figure out what action is happening in the scene. After that, you should figure out where the scene is set and what some of background sounds might be. Ingreji tells us that “a good way to prepare to edit sound for a production is to read the script. It is the first step when it comes to recording audio for video. Sound design and atmosphereīefore diving into the nuances of the sound design for a particular project, it’s important to understand the material. I had an opportunity to sit down with him and ask him a few questions about sound design. While working on these films, Ingreji mainly worked on editing the sound for the scenes.
He’s been the assistant editor on films such as “London Has Fallen” (2016) and “The Mummy” (2017). Ingreji has been working in the film industry for over 11 years. Sound reflects various aspects of the production, from the scene’s location to the actions of the characters.Īs part of the editorial team for a recently-completed feature film, I worked closely with UK Assistant Editor Amar Ingreji. Every scene in a film contains carefully crafted sound design to help audiences further understand what is taking place.
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